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• Recommended ebooks • Recommended articles • Recommended dance book/arctile websites • Online video collection •
1. ebooks


Image review from the book:
Dancing to the clapping of bands. Egyptian,
from the tomb of Ur-ari-en-Ptah,
6th Dynasty,
about 3300 B.C.
(British Museum.)

Image review from the book:
Greek figures
in a solemn dance.
From a vase at Berlin.

Image review from the book:
Cyprian limestone group
of Phoenician dancers,
about 6½ in. high.
There is a somewhat similar group,
also from Cyprus,
in the British Museum.
The dress,
a hooded cowl,
appears to be of great antiquity.

Image review from the book:
Patagonian dancers to
fife and tabor.

Image review from the book:
Gilda Gray and Ned Wayburn pupils in
“It’s Getting Darker on Broadway,”
follies of 1922

Image review from the book:
Lace Ballet,
ollies of 1922

Image review from the book:
The Presence of the Body.

Image review from the book:
To know to and from what Positions,
Steps move.

Image review from the book:
Forwards turning

Image review from the book:
A regular Figure.

Image review from the book:
Scene from the ballet Thamar
(Tamara)
by Mily Balakirev
Walker Art Library

Image review from the book:
Scene from the ballet Thamar
(Tamara)
by Mily Balakirev
Walker Art Library

The Art of Music
– A Comprehensive Library of Information
for Music Lovers and Musicians

Image review from the book:
Greek and Roman Dances
as Depicted on Ancient Vases

Image review from the book:
Odalisque in ‘Scheherazade’,
(Russian Ballet)
Leon Bakst
Date: 1910

Image review from the book:
A Plastic Pantomime (Dalcroze Eurhythmics)

Image review from the book:
Seventeenth Century Court Dances
The Saraband ;
The Allemand;
The other groups are from the Minuet;
represent the Mirror figure
in the Minuet de la Reine

Image review from the book:
Typical “Flamenco” Poses.
(From work of Señorita Elisa Cansino.)
The Garrotin;
The Tango;
The Garrotin;
The Tango;
The Garrotin.

Image review from the book:
Above:
a landscape set,
designed by F. Fontanesi,
Italy,
eighteen century;
Below:
a set for the Opera
“Robert le Diable”,
at Paris Opera.

Image review from the book:
Puppet-show,
Fig 1. Behind the scene,
Fig 2. Punch throw away the child,
Fig 3. Punch, Judy and the child,
Fig 4. Punch quiets Judy.
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3. Recommended articles
Download: Bursting bubbles between sand and sea teaching dance on the edge of the Mediterranean.pdf
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Download: Empowering the self through dance in 2012 Egypt.pdf
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Download: Pushing Boundaries Reflections on Teaching and Learning Contemporary Dance in Amman. pdf
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